This blog is a continuation of our 2010 Predictions Part 1…
3) There will be a continued focus on condition! In every collectibles market, there is a focus on condition, or state of preservation. Condition, combined with rare and in pristine Mint Condition. In every collectibles market there will always be people who want to buy the best. Mint Condition posters always enjoy top demand and are available in the smallest supply. In contrast, run of the mill damaged posters are always readily available. If you wanted to locate early damaged posters, you don’t have to work very hard. If you want to accumulate a select group of early pieces in Mint Condition, you are embarking on a project that will take you years. As in everything in life, the effort put in will determine the results you get out. The choice is up to you!
4) There will be a new appreciation of scarcity! Some collectors, particularly new ones, do not fully understand how difficult it is to locate Classic 1960’s Concert Posters in Mint Condition. There are some firms on the Internet that list every piece ever issued for sale, and many ARE available in Mint Condition. Just not the right ones! The posters that are available in Mint Condition are the later issues, BG and FD series after #30 and other venues after 1969. You won’t find this out until AFTER you order. The desirable issues, the ones that we recommend in our free report, “Insider Secrets of The Psychedelic Art Market” have long been snapped up by savvy collectors years ago. If you have not downloaded this free report, do it now. We reveal what posters are most in demand and are offered in non existent supply. These are the pieces that are being acquired the moment they hit the market, the pieces you want for your collection.
To be Continued…….

As we embark on a New Year, I thought I’d put down on paper my predictions for 2010.
We get frequent calls and emails about how to best go about grading concert posters. PAE has a secret weapon, what we call “The Table of Death!”
Hopefully this headline has caught your attention as regular readers of this blog know that Psychedelic Art Exchange abhors this strategy. BUT…if you are looking for cool artwork, and artwork alone…this is by far your best collecting strategy! Why? Because second and third printings are literally available by the MILLIONS! They are not rare at all, they have no historical significance, enjoy virtually zero demand, can be located with no effort and are extremely CHEAP in price… and in every other respect!
Glen and I would like to thank all of the bidders who participated in our just completed Classic San Francisco Concert Poster Auction. We received bids from all over the world and your enthusiasm for fresh, Mint condition material was truly more than we expected.
If you are looking to acquire extremely early Fillmore Auditorium and Avalon Ballroom posters in Mint condition, you still have 24 hours to participate in our Classic San Francisco Sale.
Just a quick reminder that you only have 4 more days to bid in The Classic San Francisco Sale. This auction features a select group of ultra fresh, Mint posters from the very early days in 1966 of The Fillmore Auditorium and The Avalon Ballroom. Each poster is PAE authenticated and Graded and is backed by the strongest guarantees available anywhere. If you have any questions about any of the lots, please do not hesitate to call Mr. Glen Trosch at 410-464-6180 for more details. Good luck in the sale!
There are several common traits that are shared among the world’s most successful collectors. One of them is the practice of continually and relentlessly upgrading the material in your collection. Upgrading gives you maximum results for minimal investment. Let me explain.
You may now bid on lots in The Classic San Francisco Sale—what we believe is one of the most important selections of MINT posters to be offered at public auction in quite some time.
Being a dealer in Classic 1960’s Psychedelic Concert Posters is a rewarding and fun endeavor on many levels. We get to meet lots of interesting people that were around “back in the day”, we get to discuss and work with material that is directly connected to musical artists we’re intensely passionate about and the posters practically sell themselves once someone fully understands how beautiful, rare and historically important this artwork is.